Steve Gunn is here for an intimate gig in the DLWP Cafe Bar
In the Café Bar, standing eventDoors 7.30pm
£12.50 in advance, £15 Door
Steve Gunn – Eyes On The Lines
People have written about roads for as long as they’ve been around. And before there were roads, they still wrote about travel and about landscape. Landscape is the stage upon which our greatest experiences and desires play out. Steve Gunn’s music has always embraced expanse and movement. It springs from the simple and profound relationship between humans and their environment. Eyes On The Lines is his most explicit ode to the blissful uncertainty of adventure yet.
Gunn’s roots in the underground run deep, from his days in GHQ to his collaborations with Black Twig Pickers and Mike Cooper. He’s toured and recorded with Michael Chapman, and released two remarkable duo albums with drummer John Truscinski. His solo ventures, emerging over the past decade and culminating most recently the highly-acclaimed Way Out Weather, have been pastoral, evocative affairs. Here he embraces his urban surroundings through a series of songs that fully showcase his extraordinary ability to match hooks to deftly constructed melodies. Gunn is a consummate guitarist, that rare fingerpicker who can harness the enigma of the American Primitive vernacular without lazily regurgitating it. His playing is inventive and full of personality. His instrumental virtuosity calls upon a vast library of technical skills at will, but he’s never showy — his riffs and runs are always in the service of the song at hand.
And what a pleasure to have this music presented to the wider public.
This song cycle melds thoughtful inquisitiveness with poetic reflection, fully embracing rhythmic uplift, allowing personal stories and impressions to live their own lives on their own terms. Gunn is more narrator than diarist; he pours real-life moments and real-life people into vibrant and evocative tales. Dreams and encounters spiral out – they form their own dramas and illuminate their own truths. Indeed, Eyes On The Lines works like a book of the finest short stories, its songs interlocking with an urgent necessity, forming an ever-questioning whole. In Gunn’s own words: “The music isn’t about me. It’s about characters, either real or fictional. It’s about images.”
And what are lines if not one of the foundational aspects of images? Lines on the road draw one’s attention to the lines comprising the landscape. Gunn’s music runs ahead and twists – like time, like the road itself. Guitar lines are highway lines are lines carved by the view out the window are the lines one waits in to get a quick meal on the way from one destination to another are lines one draws in the van to stay amused. It’s good to be out on the road and it’s good to be home, and each feeds into the other. This record sees lines run together and leap across one another.
He’s honest about the necessity of being comfortable in being lost. His music values the unknown, so it is always born of the present. We lose ourselves to find ourselves. With all of this comes humility. And gratitude. Listen to “Nature Driver,” a statement of thankfulness for the generosity of the plethora of kind souls who welcome travelers into their homes.
“Ancient Jules,” which opens the record, is a travel fantasy of a different sort. Built around head-nodding motif, the song bobs and weaves its way through a tale which foregrounds the surprising joy that can come with a break – a deep sigh in the midst of an onrush, punctuated by the finest example of Gunn’s electric soloing to emerge yet. A song like “Conditions Wild” also rambles through strange clouds of roving. Interlocking strings, percussion, and vocals join in an irrepressible rush. This record is like that – thesongs get lodged in one’s head because they’re catchy, but their atmosphere sends the mind reeling into memory and mystery.
These are songs you can take in quickly, but spend all the time in the world devouring. The very large and the very small are present in equal measure. The inability to categorize them within the avalanche of impotent diatribes that pass for categorization is a testament to their power.
Stories give us ways to discover meaning. They provide us with signposts – when we recognize our own lives within them, we clarify our existence. “Far from the world is the mystic fool,” Gunn sings on the opening track. The fool may be far from the world, but that doesn’t matter. The so-called fool is jacked in to the cosmos.
Matt Krefting Holyoke, MA 2016
SUPPORT ACT: NATHAN BOWLES
Nathan Bowles is a multi-instrumentalist musician and teacher living in the mountains of southwestern Virginia. His work, both as an accomplished solo artist and as a sought-after ensemble player, explores the rugged country between the poles of Appalachian old-time traditions and ecstatic, minimalist drone. Although his recent solo recordings prominently feature his virtuosic banjo, Bowles is also widely recognized as a masterful and versatile drummer, and he considers himself first and foremost a percussionist, with banjo as a natural extension of his percussive practice.
He and his bandmates in the popular and critically acclaimed old-time group the Black Twig Pickers steep themselves in local traditions of Appalachian folk music and dance, very much a vital part of cultural life in their region of Virginia. As a member of the long-running improvisational drone outfit Pelt, Bowles focuses on the various sonic possibilities inherent in struck and bowed percussion—metal, wood, skin, or otherwise. When playing by his lonesome under his birthname, he prefers either minimal and hyper-nuanced percussive drone or tranced-out solo clawhammer banjo. Bowles has also recorded, collaborated, and performed with Steve Gunn, Jack Rose, Hiss Golden Messenger, Black Dirt Oak, Scott Verrastro, Pigeons, Spiral Joy Band, and others.
The seven songs on his second solo album Nansemond deploy banjo, percussion, piano, tapes, and—for the first time—his robust voice, moving effortlessly between composed sections, improvised passages, and field recordings. The Nansemond suite demonstrates the elasticity of Appalachian and Piedmont stringband music and the inherent connections, when those forms are distended, dilated, and dissected—as in the “Sleepy Lake” pieces, “Chuckatuck,” or “Golden Floaters/Hog Jank”—to contemporary improvised and post-minimalist avant-garde music. Bowles’ inventive playing on the album somehow finds common ground between tradition-bearing masters like Dock Boggs, Dink Roberts, and Etta Baker and the outré compositional experiments and extended techniques of Paul Metzger, Clive Palmer, and Henry Flynt. But these two strains always feel purposefully and organically integrated, not distinct or hierarchical, and that elegant and novel elision is perhaps the most notable accomplishment of these hypnotic recordings: they respectfully refuse to accept the porous boundaries between Southern vernacular music and modernism.
Nathan will release an immersive new album in late 2016.
U14’’s to be accompanied. NO FLASH/RECORDING
Add us on Snapchat for behind the scenes action and exclusive updates! Username "dlwp35"
WebsiteVisit website
VenueDe La Warr Pavilion
Address51 Marina, Bexhill, Bexhill, Sussex,
Explore localWhat's on in Bexhill
Local tourist information guide
Other eventsWhat's on at De La Warr Pavilion
Main photo may be copyright © dlwp35
Nearest Hotels
Staying overnight in Bexhill?
We've teamed up with Booking.com to provide the best room rates for hotels near the vicinity of the Dlwp Musics Not Dead Present Steve Gunn event in Bexhill.
Bexhill Beach Residence Bed
Bexhill Beach Residence Bed & Breakfast is located in Bexhill. Free WiFi access is available. Each room here will provide you with a balcony and a minibar.
Coast B&B
Situated in the town of Bexhill-on-Sea, the boutique Coast B&B is less than 150 metres from the unspoilt seafront and less than 2 minutes walk from Bexhill Railway Station..
English Rose
With bright, modern rooms and free Wi-Fi, the family-run English Rose is just 0.4 miles from Bexhills sandy beaches. Home-cooked breakfasts include Sussex bacon, free-range eggs and fresh coffee.
The Sussex Hotel �
Set in picturesque East Sussex, The Sussex Hotel is just minutes from the stunning Sussex Coastline. The hotel offers home-cooked food, cosy bedrooms and free parking..
Arden House
Situated in the seaside town of Bexhill-on-Sea, 8 minutes walk from the beach, Arden House offers easy access to the modern De La Warr Pavilion, half a mile away, and the historic town of Hastings, 4 miles away..
Mariners Corner
Situated in Bexhill in the East Sussex Region, this holiday home is 46 km from Brighton & Hove. It provides free private parking. Eastbourne is 17 km from Mariners Corner, while Hastings is 5 km away.
View all hotels near De La Warr Pavilion
Your comments:
comments powered by DisqusDisclaimer: This event is not organised by BritEvents, and we cannot be held responsible for the accuracy of the information provided, errors, or omissions. Always check the information provided before you book tickets.