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What’s eighty-four miles long, two-thousand years old, and will soon be stretching across the stage at Malvern Theatres? Writer in Residence at Malvern Theatres Nick Wilkes doesn’t make things easy for himself. Having recently produced a play which saw a classic Morgan Motor Car on stage for the very first time, he’s going one step further. For his next production and is building a Roman Wall right across the theatre!!

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Adrians Wall is yet another world premiere for this prestigious Worcestershire venue, and is written specifically for the Forum Theatre, a very versatile space and perfect for this unique production.

Wilkes explains;

The play is set upon Hadrians Wall, which is a long, thin and stony set piece. Rather than trying to create that picture on a tradition proscenium arch stage, we are going to build the wall down the middle of the theatre with audience on either side, and play the piece in traverse. Its a perfect way to set the play and will see the audience more engaged and far closer to the piece than normal. It is also something that has never been done at Malvern theatres before, and will be very exciting for the audience the venue and the actors alike.

Wilkes is not a man adverse to a little hard work; as well as writing and producing the piece, and changing the venue around into a new configuration, he also walked the entire length of Hadrians Wall in order to research the play.

Its true. Myself, Bod (Designer Paul Ralph), and Adrian (actor Adrian Ross-Jones), walked all the way from Tynemouth on the north-east coast, to Heddon on the Wall just east of Carlisle, a distance of ninety-three miles in total. It took us six days, we faithfully followed the course of Hadrians Wall and saw some amazing sights. We also did the walk to raise some money for Help for Heroes, an amazing charity that we are supporting with this production. One of the characters in the play is an ex-serviceman having trouble adapting back to civilian life after serving in the army. It seemed both appropriate and very worthwhile to include Help for Heroes in this way.

There hasnt been a resident playwright at Malvern since the 1930s when George Bernard Shaw put Malvern on the map, and alongside Sir Barry Jackson created the famous Festivals of theatre history, but in a bold move amidst nationwide cutbacks in arts funding, Malvern Theatres, in association with Nicks company Malvernbard, is once again producing new and original theatrical works for the first time in decades.

Wilkes continues;

Its very brave of Malvern Theatres to be moving back towards production, as for many years it has been solely used to stage touring theatre. Its even more daunting to be doing so with new writing, but as someone once pointed out to me, without writing their own material, The Beatles would have just been a covers band!

Yes, I do feel that a little on my shoulders, but the truly great thing is that the theatre itself can now work hard to eke out its own revenue stream, rather than relying solely on arts funding.

Isnt that what theatres do? Create theatre? Well, no, most venues are just that, venues, and do not have a production arm or any creative facilities. Its tremendous that were working hard to buck that trend, and that the plays we are producing are of such a high standard. Long may it last!

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